Both images were taken using the ‘backlight compensation’ mode.
The photographs above and below were taken on Morte Point using a Pentax Espio 120mi and Ilford HP5 Plus a 35mm black and white film. More on HP5 here?
The Pentax Espio 120mi is point-and-shoot, mid-range, 35mm film camera (also called a compact camera) and is a still camera designed for simplicity. The Espio is an autofocus unit, having automatic exposure settings options and a built in flash unit.
Design initiatives make this a small and flexible camera – notably the physical size and overall quality of finish make this camera a stylish baby. It houses a good quality zoom lens (38-120mm), with plenty of features that enable a variety of picture taking settings. The focus and exposure system on this easy to use camera is an improvement on earlier Pentax compacts, giving sharp results and a decent contrast of tones. One of the most useful applications available on this model is ‘backlight compensation’ setting, which enables you to take a photograph using natural light in the background and flash in the foreground, giving an even tone across the image. Panorama mode is included in this little package which gives a different aspect ratio from most other cameras.
Creating a real vintage looking image is better than creating a fake. This image was taken with a Pentax K1000 35mm camera in July 2012.
The rise of Instagram, a free photo sharing program that was launched in October 2010 is the best example of this ‘look back’ at analogue photography from the 20th century. This service allows users to take a photo and apply a digital retro filter to it and then share it on most social networking services. The distinctive retro feature of this app is that it converts photos, which in contemporary formats are rectangle, to a square shape, like Kodak Instamatic and Polaroid images of the 70s. The most common aspect ratios used in still camera photography, are 4:3, 3:2 (more recently in consumer cameras 16:9 is being used). Other used aspect ratios include 5:3, 5:4, and 1:1 which produces the square format. Most mobile devices have a 4:3 aspect ratio.
The problems of fragmentation and confusion that exist within more traditional art practices, such as painting and sculpture (in the broadest possible milieu) are mirrored in new art practices. Within these technological and new media categories, diverse concepts and imagery has been lumped together to form a hodgepodge of non-related methodologies and artworks.
What is this direction?
The meshing together of processes, unrelated imagery and the breaking down of barriers cannot be seen as a shortcut to intellectual credibility. The dedicated thought process that goes with the creative procedure should be one of intense reasoning. It is therefore unrealistic to expect the uneducated masses to use the computers prescriptive decision making to create ‘real art’. The birth of Photoshop has enabled everybody to create ‘non-intellectual’ versions of Rauschenberg (and Warhol) – this is not ART.
I am an old dinosaur – I am very confused. What is painting? wp.me/p1GVNQ-3T Leave a comment on the page and set me on the right course
— Peter Bright (@thiswindow)
Contemporary artists have extended the boundaries of painting considerably to include; collage, different materials such as sand, cement, straw or wood for their texture. Juxtaposing images and materials, either as a collage, printing or painting is not simply a decorative … Continue reading ?
The picture above is of my painting exhibited in ‘The Gallery’ of the West Buckland Festival
I very rarely get inspired to paint these days but I saw a painting by Renoir entitled ‘Onions’ at the Royal academy last week and decided to give it a go.
My painting ‘Onions’ is nothing like the Renior but… The skin of the red onions were iridescent like the back of a beetle, shimmering and layered in colour.
The image above is a drawing I did in 1978, which is part lithograph and part sketch in oils. It is now part of an exhibition in the coastal town of Ilfracombe.
Over this weekend, in the Landmark Pavilion, Sea Ilfracombe will be hosting a major event, which will include exhibitions from professional artists, as well as artwork from Ilfracombe’s schools and community college.
- Damien Hirst’s giant pregnant woman to hit Ilfracombe (telegraph.co.uk)
- #Paintings 2007 – #Allergy These two paintings above were exhibited in the exhibition at Landmark Theatre, Ilfracombe, North Devon, UK (3rd September 2007 – 7th October 2007) both images were sold and are in private collections. In many respects I was influenced by the … Continue reading →
There are people out there who will steal, copy and adapt your art for their own gain – this is not plagiarism it is theft.
Plagiarism is defined in dictionaries as the “wrongful appropriation,” “close imitation,” or “purloining and publication” of another author’s ” language, thoughts, ideas, or expressions,” and the representation of them as one’s own original work, but the notion remains problematic with nebulous boundaries.
These thieves are vermin, they are annoying and like their namesakes rats – they belong in the gutter.
They always say that imitation is a form of flattery.
A rat’s ability to learn, has been investigated to see if they exhibit general intelligence like larger or more complex animals…the one in the above photograph wasn’t, it is now food for the flies.
- Photograph looking out over the Woolacombe Bay Hotel Here is a view across out to Baggy Point, looking over the Woolacombe Bay Hotel. The photograph above was taken with a Pentax Spotmatic 35mm camera using ‘old stock’ (March 2000) Agfacolor HDC 200. I am really impressed with the … Continue reading
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